Zhan Wang
Born in Beijing in December 1962, Zhan Wang graduated from the Beijing School of Arts and Crafts in 1981, was admitted to the Sculpture Department of the Central Academy of Fine Arts (CAFA) in 1983, graduated with a Bachelor's Degree in 1988, and graduated from the postgraduate course of the Sculpture Department of CAFA in 1996, and now works and lives in Beijing.
After graduation, he entered the Institute of Sculpture at the Central Academy of Fine Arts, specializing in creative work, and in 2003, he was transferred to the Sculpture Department of the Central Academy of Fine Arts (CAFA) as a professor of sculpture creation. 1995, he set up a Three-person Joint Studio with Sui Jianguo and Yu Fan; In 1998, he published his academic paper "Conceptual Sculpture - Materialized Concepts" in Art Research; in 1999, he curated the "Fifty Years Retrospective of Sculpture at the Institute of Fine Arts". During his tenure as the director of the Institute of Sculpture, he organized three experimental exhibitions of open studios, among which the "Obsession with Harm" triggered an international controversy; In 2003, the Third Studio of the Sculpture Department was formed, advocating the goal of training contemporary artists in the context of the Sculpture Department and practicing the method of curating exhibitions to promote teaching.
In the early days, his work has been influenced by Pop Art, he created super colorful realistic sculptures, represented by Sitting Girl (1990) and so on; from the mid-1990s, he was influenced by Conceptual Art, represented by the performance project 94 Ruin Cleaning Project (1994); then, integrating his sculpture expertise and explored the creative direction of Conceptual Sculpture, and his representative works include the series of Mao Suit (1994), the Artificial Rock(Jiashanshi) series created since 1995 and New Map of Beijing -Rockery Remodeling Plan(1996); His representative personal projects include: "Burial: Shell of Mao Suits" (2002), "Floating Rock Drifts on the Open Sea" (2000), "Project to Inlay the Great Wall" (2001), "Urban Landscape" series (2002), and so on. His art is considered to have the quality of using simple material forms to formulate complex problems, and he has created various experimental artworks in sculpture, installation, photography, video and public art. In recent years, he has created various new works by overlapping interdisciplinary working methods, such as Suyuan Stone Generator—One Hour Equals 100 Million Years, and a video installation My Personal Universe, which he started to create in 2010, Forms in Flux, the computer algorithm work in collaboration with a mathematician in 2016. In addition, he has also created the latest works such as Finitude/Infinitude(2021)and Match Openings: Particle (2022).
Zhan Wang has held more than twenty solo exhibitions and solo projects at home and abroad in his solo art career, the main solo exhibitions such as “Kong Ling· Kong—Temptation series”,(Central Academy of Fine Art Gallery, 1994), “Garden Utopia”, (National Art Museum of China,2008), “Suyuan Stone Generator - 1Hour Equals 100 Million Years”, (Today Art Museum, 2010), “Zhan Wang: My Personal Universe”, (Ullens Center for Contemporary Art, 2011), “Forms in Flux “, (Long Museum West Bund, Shanghai,2017).and his works have participated in many international contemporary art biennials and triennials and sculpture exhibition in Venice, Shanghai, Singapore, Guangzhou Belgium, Hawaii, Holland, Australia, and Toronto, etc. In 2003, he was selected to participate in the first Chinese Pavilion of the 50th Venice Biennale. He has published more than ten books and albums. His works have been collected and displayed by the Metropolitan Museum of Art in New York, British Museum in London by the first piece Chinese contemporary sculpture, and in 2000 he was named by Japan's Art Handbook as one of the 100 Global Most Discussed Artists.
Solo Exhibitions
2020
Zhan Wang: Objects of Idea, Long March Space, Beijing
2019
The Invisible: Zhan Wang, Eslite Gallery, Taipei
2017
Forms in Flux, Long Museum West Bund, Shanghai,
2015
Nothing for the Time Being, OCAT, Shanghai
2014
Morph, Long March Space, Beijing
2012
Form of Formless, Long March Space, Beijing
Universe, Singapore Tyler Print Institute, Singapore
2011
Zhan Wang: My Personal Universe, Ullens Center for Contemporary Art, Beijing
2010
Suyuan Stone Generator - 1Hour Equals 100 Million Years, Today Art Museum, Beijing
Zhan Wang: Reflection, Eslite Gallery, Taipei
2008
Zhan Wang: Garden Utopia, National Art Museum of China, Beijing
On Gold Mountain: Sculptures from The Sierra by Zhan Wang, Asian art museum, San Francisco, USA
86 Divinity Figures, Long March Space, Beijing
Zhan Wang, Haines Gallery, San Francisco, USA
2006
Zhan Wang: Urban Landscape – Beijing, Williams College Museum of Art, Massachusetts, USA
2005
Flowers in the Mirror, Hanart TZ Gallery, Hong Kong
2002
From Sweden to Taipei, Taipei-Tai Zhong
2001
Sham Nature—Zhan Wang’s Artificial ‘Jia Shan Shi’, Hanart TZ Gallery, Hong Kong
1994
Kong Ling· Kong—Temptation series, Central Academy of Fine Art Gallery, Beijing
Individual/Team projects
2021
Fractal Structure—Landscape Unlimited, The Chuan Malt Whisky Distillery Emeishan, Sichuan
2020
Prosperity, Zhaotai International Center, Beijing
2019
Insight and Vision—Sensing (Jya Art Project), UCCA Lab, UCCA Contemporary Art Center, Beijing
2004
Mount Everest Project—to the Summit, Everest 8853.5m, China
2002
Burial: Shell of Mao Suits, underneath the Guangdong Museum of Art, Guangzhou
2001
Inlay the Great Wall, Remnant Great wall of Ba Daling, Beijing
In & out—Floating Rock on Sweden, Gothenburg, Sweden
2000
Beyond Twelve Nautical Miles—Floating Rock Drifts On The Open Sea, 12 nautical miles off Lingshan Island, Jiaonan, Qingdao, Shandong
1995
Property Development project by the Three Men United Studio, Sculpture Department of Central Academy of Fine Arts, Beijing
Women/Here, the second project by the Three Men United Studio, Museum of Contemporary Art, Beijing
1994
94 Ruin Cleaning Project, Wangfujing, Beijing
Selected Group Exhibitions
2023
Chengdu Biennial, Chengdu Contemporary Art Museum, Sichuan, China
Matter as Actor, Lisson Gallery, London, UK
2022
Literati and Artisan, Nanchizi Museum, Beijing
Beijing Biennial 2022, Beijing Friendship Store, Beijing
2021
IMAGINE ·Amsterdam Sculpture Biennale ARTZUID, Holland
Duration: Chinese Art in Transformation, Ming Sheng Art Museum, Beijing
2020
Longing for Nature – Reading Landscapes in Chinese Art, Museum Rietberg Zürich, Zürich, Switzerland
2020 Wuhan 5th Documentary Exhibition of Fine Arts, Hubei Museum of Art, Wuhan
2019
The Allure of Matter: Material Art from China, Los Angeles County Museum of Art, Los Angeles, USA
Curitiba International Biennial of Contemporary Art, Museu Oscar Niemeyer,Curitiba, Braz
2018
Sculpture by the Sea 2018, Perth, Australia
Art History: Shaped by 40 Artists from 1978 to 2018, Power Long Museum, Shanghai
2017
Art and China after 1989: Theater of the World, Solomon R. Guggenheim Museum, New York, USA
The 1st Honolulu Biennial: Middle of Now | Here, Honolulu, USA
2016
M+ Sigg Collection: Four Decades of Chinese Contemporary Art, Artis Tree, HONG KONG
Kenpoku Art 2016 Northern Ibaraki Art Festival, Tenshin Memorial Museum of Art, Ibaraki, Japan
2015
CHINA 8, Lehmbruck Museum, Duisburg, Germany
Breaking the Image, Si Shang Art Museum, Beijing
2014
The Third Criticism: Art Language, Times Art Museum, Beijing
Art Basel: Unlimited, Basel, Switzerland
2013
Passage to History – 20 Years of the Venice Biennial and Chinese Contemporary Art, Venice, Italy
Glasstress 2013: White Light / White Heat Collateral event of the 55th international art exhibition La Biennale di Venezia, Venice, Italy
2012
Sculpture 2012 (Group Exhibition of Five Sculptors), Hubei Museum of Art, Wuhan
The Revival of Tradition– Chinese Contemporary Art Exhibition, La Galleria Pall Mall, London, UK
2011
Louis Vuitton– Voyage, National Museum of China, Beijing, China
The 5th Chengdu Biennale, Sichuan
2010
Reshaping History: China Art 2000-2009, National Convention Center, Today Art Museum, Arario Gallery, Beijing
Art for the World·Exposition Axis Sculpture Gallery International Sculpture Exhibition: The City of Forking Paths, Shanghai
2009
Biennial Cuvee, OK Centre for Contemporary Art, Linz, Austria
The 2nd Vancouver Biennale, Vancouver, Canada
2008
The 2nd Singapore Biennale: Wonder,Singapore
New World Order: Contemporary Installation Art and Photography from China, Groningen Museum, Groningen, Netherlands
2007
The First Today’s Documents–Energy: Spirit·Body·Material, Today Museum, Beijing
China Onward: The Estella Collection – Chinese Contemporary Art, Louisiana Museum of Modern Art, Copenhagen, Denmark
2006
The 6th Shanghai Biennale: Hyper-Design, Shanghai
2006 Beaufort: 2nd Triennial of Contemporary Art on the Sea, PMMK, Oostende, Belgium
2005
Universal Experience - Art, Life and the Tourist’s Eye, Museum of Contemporary Art, Chicago, USA
The Wall: Reshaping Contemporary Chinese Art, World Art Museum, Beijing; Anderson Gallery, Buffalo, New York, USA
2004
Chinese Contemporary Art Touring Exhibition, Museo Arte Contemporanea di Rome, Rome, Italy;Ludwig Museum, Budapest, Hungary
First Document Nomination Exhibition, Hubei Institute of Fine Arts, Wuhan
2003
The 50th Venice Biennale Chinese Pavilion: Dreams and Conflicts - The Dictatorship of the Viewer, Synthi-Scapes, Venice, Italy; Guangdong Museum of Art, Guangzhou
First Beijing International Art Biennale, National Art Museum of China, Beijing
2002
The 1st Guangzhou Triennial: Reinterpretation – A Decade of Experimental Chinese Art (1990-2000), Guangdong Art Museum, Guangzhou
The Long March - A Walking Visual Display: New Plan to Fill the Sky, Xichang, Sichuan
2001
Dream: Contemporary Art of China, Atlantic Fine Art, London, UK
Knowledge is Power, Beijing Book Building, Beijing
2000
Open 2000: International Exhibition of Sculpture and Installation, Venice, Italy
The 3rd Shanghai Biennale, Shanghai Art Museum, Shanghai,
1999
Transience – Chinese Experimental Art at the End of the Twentieth Century, The Smart Museum of Art, Chicago, USA
Second Annual Exhibition of Contemporary Sculpture, He Xiangning Museum, Shenzhen
1998
Trace of Existence: A Private Showing of Chinese Contemporary Art, Modern Art Studio, Beijing
First Annual Exhibition of Contemporary Sculpture, He Xiangning Museum, Shenzhen
1997
Chinese Contemporary Art Exhibition, Watari-um Museum, Tokyo, Japan
Cities on the Move - Asian Contemporary Art (Touring Exhibition 1997-1999), Austria; France; USA; Denmark; UK; Finland; Thailand
1996
International Outdoor Exhibition of Contemporary Sculpture, Fukuoka, Japan
Invitational Academic Exhibition of Contemporary Artists, Hong Kong Art Center, Hong Kong
1995
45 Degrees as a Reason, Art Exchange, Hangzhou, Shanghai, Beijing
Open Your Mouth, Close Your Eyes: Beijing – Berlin Art Exchange, Art Museum of the Capital Normal University, Beijing
1994
Agree to 11/26 as a Reason, Art Exchange, Hangzhou, Shanghai, Beijing
1991
New Generation Art Exhibition, Chinese History Museum, Beijing
Awards
2020
GQ Artist of the Year
Robb Report Best of the Best Awards for Artist
2017
Robb Report Best of the Best Awards for Artist
2011
Harper’s Bazaar Men’s Style
AAC Art China·Annual Influence
2006
Martell Extraordinary Artist Award
Selected for inclusion in the American University textbook of art history, The Power of Art
2000
100 Global Most Discussed Artists, Art Handbook, Japan
Courtesy of the Artist.